#1 Place for Craft Supplies, Art Supplies, Artist Materials and Kids Crafts

I had have problems with masking medium in the past. So I was extremely skeptical. However it worked great. I would only suggest you use it on art paper as on copy paper and newsprint, it didn't work without damaging the paper.

This is a great product! I've started painting 5 months ago and have found a world of difference using this product in order to maintain areas preserved for painting later in the process. It's also easily removed when you are ready to peel/rub it off.

This product does NOT disappoint. I needed a mask for miniatures, and it works splendidly. After fighting with applicators, I simply added a little water to thin the mask and applied it with a small bottle and fine point (.5 mm) nib. After letting it dry, I airbrushed the figure, and then peeled up the mask. The mask's durable latex construction formed a welcomed break where it should. I'll use this product for many years to come. MisterArt rocked as well, packaging and delivering solidly, and doing so at rock bottom prices!

I wanted a mask that offered me more options on a motorcycle helmet than what standard masking or stretch mask could handle. I sprayed the mask on, and was able to cut a stencil in shapes on a rounded surface that I could have never done with other masking types.

Depending on the surface that this is being used on it is pretty effective. The only real problem that I had with it was that it rips most surfaces unless heavily glossed or something other than paper.

I wanted to experiment with masking out soft pastels. I doubted the frisket would work -- i assumed that rubbing in the pastels would rub away the frisket -- Not so! I could rub the pastels into the paper and the frisket stayed firm. The frisket did hold the pastel pigments better than the paper, and i almost regretted pulling the frisket away -- the brighter sweeps against the lighter background was attractive. Still, continuing with the experimment, pulling back the frisket wored fine, and i didn't rub pigment into the white regions. Higgins non-waterproof black wrote just fine over both the pastels and the post-frisketted areas. There might have been a little bleed where the frisket had been, but it was not particularly significant. Another surprise -- it was easy to write with a C-4 speedball nib over the pastel dusted frisket. Note: really let the ink dry before removing the frisket! Smudges reward the impatient! What about frisket to protect a pastel area? And frisket and acrylic inks? Well, the frisket does pull up much of the pigment that's been rubbed into the paper. Drawn lines don't seem as lifted. I was too impatient to get the pen working with the acrylic ink, so i just used a brush. My main concern was that the frisket would peel the acrylic off from the paper at the edges, but it seemed to leave a nice crisp edge. I think there was one spot where it peeled back a little. The acrylic inks are very thin compared to acrylic paints.

I bought this product to experiment as a resist with metal etching. It was the best item i have used on metal. it adhears wonderfully and dries fast and then peels right off. Perfect! If you need a good resist for metal etching try this product!

I use this product to mask an area that I don't want to paint a base color so that I can add dapples later. Works great!

After using a different product for a while I was a little timid to try something new. I'm VERY glad I did! This product paints on to give good, straight edges, protects beautifully and lifts easily. What more could you ask for?