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Jean-Baptiste-Camille Corot

Jean-Baptiste-Camille  Corot

(1796 - 1875)
Born: Paris, France
Style: Romanticism
Famous Works:
  • Florence, Seen from the Boboli-Gardens (after 1834)
  • Morning, The Dance of the Nymphs (c. 1850)
  • Ville d'Avray (c. 1867)
Jean-Baptiste Camille Corot is considered one of the greatest nineteenth century French landscape artists. His work bridged the traditions of the Classical landscape painters and the first Impressionists in France. He possessed a strong foundation in traditional art education that is reflected throughout many of his works. This foundation, in combination with his passion and insight, enabled Corot to create successful paintings all throughout his career. He was inspired by generations of painters before him, including Nicolas Poussin and Claude Lorraine. From these masters Corot acquired his sensitivity to light and balance in his compositions. He also inspired artists after him; not only the Impressionists, but also his contemporary Eugène Delacroix, who thought Corot was discovering new methods of painting nature. Corot portrayed an intense light and atmospheric weight in the scenes he chose to illuminate. He painted in the outdoors at his father's country house in Ville-d'Avray outside of Paris, working the paint on his palette to replicate the effects the sun had on the trees, hills, and buildings before him. This obsession with the effects of light, directly observed and translated into opaque pigment, was passed along to his younger contemporaries towards the end of his life. Édouard Manet, Camille Pissarro, and Claude Monet all soaked in the lesson Corot offered on the magic sparkle of sunlight on their beloved French countryside, starting the next revolution in painting and affecting artists in the next generations.
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Latest Product Reviews

I love these pallets. I have one for my warm yellows, 1 for cool yellows and you can write on the 2 big wells with the colors that are above ;if you use a woodless graphite pencil, it won't rub off easily. This way I know the exact color and color bias for my red, blues, yellows, violets, greens, and oranges. I find I only need one for my white, black/grey tints and earth tone water colors. For stains, I clean off with olive oil then follow with soap and water so oil doesn't get into my watercolor pigments.
- Delores in Seattle, WA
I love this glue, but then again I use it differently than what it's normal use is. If you are gluing glass or plastic, I wouldn't use this glue. Otherwise, it is great albeit it does take a bit for it to dry and cure. I actually contacted the manufacturer to see if I could by this stuff by the gallon. Apparently, they only have the 4 oz bottle, but will be offering an 8 ounce bottle soon.
- Rob in Florida
This frame is too high in price, and not enough sizes.
- Gail in Fresno C

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