First of all I would like to say that the brushes were for my husband who is an artist and he was delighted that I found something new or that he did not know about. You made his day! If he needs supplies in the future, I shall again look at your site as I find it impressive and quantitative. Thanks again

Peggy Prior Valley Center, CA

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Jean-Baptiste-Camille Corot

Jean-Baptiste-Camille  Corot

(1796 - 1875)
Born: Paris, France
Style: Romanticism
Famous Works:
  • Florence, Seen from the Boboli-Gardens (after 1834)
  • Morning, The Dance of the Nymphs (c. 1850)
  • Ville d'Avray (c. 1867)
Jean-Baptiste Camille Corot is considered one of the greatest nineteenth century French landscape artists. His work bridged the traditions of the Classical landscape painters and the first Impressionists in France. He possessed a strong foundation in traditional art education that is reflected throughout many of his works. This foundation, in combination with his passion and insight, enabled Corot to create successful paintings all throughout his career. He was inspired by generations of painters before him, including Nicolas Poussin and Claude Lorraine. From these masters Corot acquired his sensitivity to light and balance in his compositions. He also inspired artists after him; not only the Impressionists, but also his contemporary Eugène Delacroix, who thought Corot was discovering new methods of painting nature. Corot portrayed an intense light and atmospheric weight in the scenes he chose to illuminate. He painted in the outdoors at his father's country house in Ville-d'Avray outside of Paris, working the paint on his palette to replicate the effects the sun had on the trees, hills, and buildings before him. This obsession with the effects of light, directly observed and translated into opaque pigment, was passed along to his younger contemporaries towards the end of his life. Édouard Manet, Camille Pissarro, and Claude Monet all soaked in the lesson Corot offered on the magic sparkle of sunlight on their beloved French countryside, starting the next revolution in painting and affecting artists in the next generations.
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Latest Product Reviews

Lanaquarelle cold press is a beautiful paper for watercolor and gouache. It does not hold up to drafting tape as a masking method, but can take masking fluids. The paint continues to slowly and evenly disperse across a wet surface, applied even after the wet sheen subsides, so be careful not to over-paint during wet on wet or dispersion will go too far. It is a great paper for very surprising subtle and delicate effects, as well as bold and saturated washes, which apply easily and evenly. I am glad I tried this paper and I would definitely use it again and again.
- Reed-Deemer Art Studio in New Mexico
I love the idea behind this product. I use the Redi-Lead to do a stained glass effect on bottles. I would give the product more stars if it had a better adhesive. I have had to resort to using a glue for glass to keep it adhering to the curve of even large bottles, and when making curved shapes; like leaves.
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Working with Pebeo products is so much fun and I love the different affects that can be achieved by using Prisme, Vitrail and glitter together. Cons: Some colors in the Pebeo Prisme line became thick and gooey after 4 to 6 months of storage. I attempted to thin the paint with paint thinner but it was still too thick. I wrote the Pebeo Customer Service Department and have yet to hear from them (it's been approximately one week now). Regardless, when I want to create something unique I will continue to use them.
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