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Alfred Sisley

Alfred Sisley

(1839 - 1899)
Born: Paris, France
Style: Impressionism
Famous Works:
  • Rue de La Machine (1873)
  • The Seine at Bougival (1873)
  • Snow at Louveciennes (1878)
Impressionist Alfred Sisley enjoyed painting landscapes in diverse lighting, and was more committed to landscapes that any other impressionist painter. He trained with young artists Claude Monet, Pierre-Auguste Renoir, and Frédérick Bazille in the studio of Charles Gleyre in Paris. Along with his colleagues, Sisley left the confines of the indoor studio, and went outside to paint. Plein air painting was vital to the Sisley, allowing him to observe, first hand, the effects of light on his subject. A trademark of Sisley's landscapes was to incorporate streets and roads that invited the viewer into the painting, inspired, perhaps, by the work of Camille Corot. Also of particular interest to Sisley were the differences in varied atmospheric conditions. By intense observation of scenes, both urban and rural, affected by weather, season, and time of day, Sisley was able to produce works that documented his experience with light. Sisley's canvases are built up by expressive brushstrokes of color, relating the spontaneous reaction of the artist. Luminosity of color, and truthfulness in translation of vision drove Sisley's work. This approach was formed into a distinct style with the collective help of Claude Monet. Together, these two men transformed the tradition of painting, starting a method of recording experience which was to influence artists for generations.
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Latest Product Reviews

I've used Pebeo's Vitrea 160 paints for years. I love this stuff. When buying these paints, remember to get the thinner too. I use a stiff stencil brush with a dabbling motion to get even coverage. If bubbles appear, the paint is too thick or you've added too much water, but don't fret just let it dry a little and brush over it again. Have fun!!!
- Dougster in Tucson Arizona
This is not only the best eraser I've ever used, it's the ONLY eraser I'll ever use, despite the best sales pitches in art shops to get me to change. Cleans superbly, soft to use, no discoloration on the paper and cheap as chips...I don't believe it has a competitor
- Steve Reddin in Dublin, Ireland
I might have gotten this but if this is beginner's ballet (based upon editor's description) why does the cover illustration have a girl en pointe? That doesn't happen until year two or three even. It will give girls the wrong impression--that going en pointe is easy, fast and will happen almost automatically. The cover illustration is enough to not get this book.
- Davida W. in Queens, NY

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