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Albrecht Altdorfer

Albrecht Altdorfer

(c.1480 - 1538)
Born: Regensburg, Germany
Style: Northern Renaissance
Famous Works:
  • Landscape with a Footbridge (1518-20)
  • Christ Taking Leave of his Mother (c. 1520)
  • Battle of Alexander at Issus (1529)
The paintings of Albrecht Altdorfer were among the first works of the period to provide such a marked emphasis on landscape. Altdorfer's passion for landscapes and small details came about in 1511 when he ventured on the Danube across the Austrian Alps. He became a main representative of the Danube style, and was instrumental in the development of what is known as pure landscape, in which the landscape accounts for the entire focus of the painting. There is evidence that the tradition of landscape painting goes back thousands of years, but by Altdorfer's time, the tradition had been long lost. For Altdorfer, Nature was of the utmost concern, even though it had ordinarily been considered a background element. The landscapes in Altdorfer's canvases are depicted in great detail and bold color, the artist often using the rising or setting sun to justify the liberal use of expressive color. Beyond painting, much of the artist's work included drawings, sketches and engravings. These works also reflect a view of the world in which trees, rivers and mountains are of paramount importance.
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Latest Product Reviews

These magnets are awesome! I use them for numerous things, gluing them to flashlights so they won't rattle in a car. Glued one on a old fine paint brush to sweep off my keyboard on my computer, storing it on a file cabinet in the room. Hold a piece of metal to be welded on a vehicle. But the glue utilized must be strong, for the first stuff I used, the magnet tore loose from the flashlight. I use JB Weld-minute weld epoxy.
- ArchieA in Olympia WA
Lanaquarelle cold press is a beautiful paper for watercolor and gouache. It does not hold up to drafting tape as a masking method, but can take masking fluids. The paint continues to slowly and evenly disperse across a wet surface, applied even after the wet sheen subsides, so be careful not to over-paint during wet on wet or dispersion will go too far. It is a great paper for very surprising subtle and delicate effects, as well as bold and saturated washes, which apply easily and evenly. I am glad I tried this paper and I would definitely use it again and again.
- Reed-Deemer Art Studio in New Mexico
I have been using this product for years and find that it works perfectly on my gessoed wood pieces. The biggest complaint I have is that over the years Grumbacher has downsized the size of the bottle, now making it only available in these small, expensive quantities. I would like for them to offer them in a larger size.
- Marie in New Mexico

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