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Styles & Periods
Bauhaus

The Bauhaus School was founded in 1919 by Walter Gropius at Weimar, Germany, and later relocated to Dessau, Berlin, and, eventually, Chicago. The Bauhaus has had an incalculable effect on modern architecture and design, yielding hallmarks of the modern style in everything from skyscrapers to the "applied design" of teapots and toasters. The main aim of the Bauhaus was to join form and function, uniting principles of creative design with the tenets and technologies of modern science and industry. As chairman of the Working Council for Art, Gropius sought to bring all art together "under one roof,” creating architecture designed with the worker in mind. The Bauhaus was a response to the demand for buildings of specialized function; in the school, art and engineering came together. Its aim was political as well; founded in the capital of a tense, tumultuous post-WWI Germany, the Bauhaus was a self-conscious rejection of all things bourgeois. Like the Futurists, those at the Bauhaus were intensely interested in using "new" materials like glass and steel. The Bauhaus was a collectivist vision, focused on purity and utility; it shunned "bourgeois" elements like cornices, eaves, color and a surplus of space. Roofs were flat and facades sheer; rationality, not comfort, ruled the day. When the Nazis rose to power in 1937, the Bauhaus moved to Chicago (where it later morphed into the Chicago Institute of Design), and Mies van der Rohe, a successor of Gropius, also moved to Chicago. As a result, the principles of the Bauhaus quickly pollinated the world, and its influence continues to be felt in typography and industrial design as well as architecture.


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Latest Product Reviews

I Iove these pencils. I would like to purchase the metallic ones.
- Marian Alpaugh in Gastonia, NC
They have always worked perfectly for us, and fit right in with our old family albums.
- B & J in Poulsbo, WA
Great idea, poor execution. Once a photo has been burnished on to the adhesive, per manufacturer's instructions, lifting the photo off to transfer to mounting board yields often long, gooey, sticky web-like strands of adhesive that have a tendency to wrap around to, and stick to, front of photo. It leaves what is essentially an irreparable mess, even when using utmost care. Also, unless burnishing print to adhesive is done with rather extraordinary force, I've found it difficult to get the adhesive to stick to more than about 90% of the print's back.
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