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Styles & Periods
Byzantine Art

Byzantine Art arose from the expansion and regional dominance of the Byzantine Empire, and flourished further after the capital, Constantinople, was dedicated in the year 330, becoming the cultural center of the empire. Though the capital was initially appointed with treasures of ancient, classical art, the emerging style would prove more abstract and symbolic. The Age of Justinian ushered in an aggressive period of conquest for the empire, as well as major building and renovation projects in Constantinople and beyond. From Moscow to Turkey to Italy monuments were built, and decorated with religious and imperial iconography. In Ravenna, the Basilica of San Vitale remains as a jewel of the Justinian Empire. Its construction was not based upon the longitudinal axis of Early Christian basilicas, but instead, has an octagonal plan with a domed center. The interior space is complex, with rich mosaics of the Emperor Justinian and the Empress Theodora that decorate multiple chambers. A new standard of beauty was set in the rendering of the portraits of the royal court in these mosaics from the standard of the Early Christian figures. In Istanbul, the Hagia Sophia is the most important monument of the Byzantine era. The former mosque is a masterpiece of physics and geometry, and includes the architectural element of buttressing, an innovation at the time, allowing the building to soar to new heights, and to include a collection of windows which reflected the sun’s path in a show of lights.


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Latest Product Reviews

I bought the butterfly set as a gift for my niece. She loved it! Colors are highly concentrated and water-soluble. The resist on the paper helps her stay in the lines as well as lay down a wash over a large area without losing the tiny linear details in the wings. Highly recommend!
- Judy W. in Houston, TX
Lanaquarelle cold press is a beautiful paper for watercolor and gouache. It does not hold up to drafting tape as a masking method, but can take masking fluids. The paint continues to slowly and evenly disperse across a wet surface, applied even after the wet sheen subsides, so be careful not to over-paint during wet on wet or dispersion will go too far. It is a great paper for very surprising subtle and delicate effects, as well as bold and saturated washes, which apply easily and evenly. I am glad I tried this paper and I would definitely use it again and again.
- Reed-Deemer Art Studio in New Mexico
This easel is so easy to set up, adjust, and break down. I'm buying a second one for my middle-schooler. It works great with boards, canvases, and both sizes of frame/tapestry loom that I use regularly.It is perfect for working outdoors on uneven ground.
- Kara in Arkansas

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