I received my order today. It is exactly what I ordered, it came very rapidly and well packaged, and the communication for tracking the order was excellent. I am glad top have found your company, and I will surely continue doing business with you.

Daniel Rockport, ME

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Styles & Periods
Computer Art

Computer Art is any art that was conceived or produced by a computer. Even more important than these factors is the distinction that in computer art the technological role of the computer(s) is essential, or at least emphasized over other mechanized or manual methods. Computer art can be traced all the way back to the early 1950s, and the "Oscillons" created by Ben F. Laposky. The artist used electronic circuits to create electrical vibrations which were then displayed on the screen of an oscilloscope and finally captured using still photography. In the early 1960s, machine generated art began to pick up steam, initially produced, not by artists, but by the engineers and scientists that had access to early, expensive, computer technology. The presence of computer art was legitimized in 1968, when the Computer Arts Society was founded in Britain. The society brought together people from around the world that had begun to explore the ways that technology could impact art. In comparison to today’s products, the art of the computer was crude, as the artist had very limited means by which to input data. This clumsy, static approach was put to rest when, in the 1970s, the light pen was first introduced. This innovation introduced a hands-on element into the work for the first time. “Painting” directly on the screen was an understandable approach for many artists, including David Hockney and Richard Hamilton, notable computer artists. As computers and other electronics have become more powerful, sophisticated, and affordable, they have had a tremendous impact on the world of art, and allowed artists to achieve compositions that were once unimaginable.

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Latest Product Reviews

I love the idea behind this product. I use the Redi-Lead to do a stained glass effect on bottles. I would give the product more stars if it had a better adhesive. I have had to resort to using a glue for glass to keep it adhering to the curve of even large bottles, and when making curved shapes; like leaves.
- Bryan B. in Huntington, WV
Lanaquarelle cold press is a beautiful paper for watercolor and gouache. It does not hold up to drafting tape as a masking method, but can take masking fluids. The paint continues to slowly and evenly disperse across a wet surface, applied even after the wet sheen subsides, so be careful not to over-paint during wet on wet or dispersion will go too far. It is a great paper for very surprising subtle and delicate effects, as well as bold and saturated washes, which apply easily and evenly. I am glad I tried this paper and I would definitely use it again and again.
- Reed-Deemer Art Studio in New Mexico
I have been using Pelikan opaque watercolors for 40 years. I love them. They last a long time. The colors are great. Also, with more pigment, you can achieve rich vibrant colors that don't fade. I don't put my finished pieces in the sun. And they don`t dry up like tube watercolors. I have given them as presents also.
- Diana B. in Chimayo, NM

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