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Styles & Periods
Tonalism

Tonalism was a style found in American painting of the late 19th century which often emphasized the atmospheric and ambient conditions of a scene. Related to the development of the observations of light of the Impressionists a few years later, Tonalists, such as George Inness, depicted nature in a soft, subjective manner, apparently removed from the grand statements in landscape of the Hudson River Painters before him. Intimate and delicate tableaus typify his work. Much of James McNeill Whistler's work also typifies the Tonalist style, notably Nocturne in Black and Gold, the Falling Rocket. Pictorial photographers a few decades later adopted the ideals of the Tonalist artists. No longer interested in documentary photography, Alfred Stieglitz pioneered an expressive style of photography that emulated paintings with soft focus, resulting in sentimental prints.


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Latest Product Reviews

I started using PREMO polymer clay before it was called PREMO; I use it in all of my projects. I have sold and shipped my work all over the USA ; as well as to France, Japan , and Hong Kong. My collectors know that if there is ever a problem, I will fix it; I've never had a problem. I have a very good friend who is a professional Chemist. He made plasticizer for me years ago, and I sometimes use it if the clay is too hard.
- James Peacock in New York/Asheville, North Carolina
Not the world's greatest, but nice, especially given the price. More than adequate for practice pieces, and students. I pay more per tube for the professional quality paints I use now, than for this entire 18-piece collection, so if you need paints for practice, go for it! Not especially great for making custom colors- mixes tend to get muddy. Stays wet in tubes for years!
- Michelle D. in Tampa, FL
Lanaquarelle cold press is a beautiful paper for watercolor and gouache. It does not hold up to drafting tape as a masking method, but can take masking fluids. The paint continues to slowly and evenly disperse across a wet surface, applied even after the wet sheen subsides, so be careful not to over-paint during wet on wet or dispersion will go too far. It is a great paper for very surprising subtle and delicate effects, as well as bold and saturated washes, which apply easily and evenly. I am glad I tried this paper and I would definitely use it again and again.
- Reed-Deemer Art Studio in New Mexico

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