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Styles & Periods
20th Century Architecture

Twentieth century architecture, like other art forms, was charged with formulating a response to the technologies and tensions of the industrial age. The first response came from the Art Nouveau movement, which self-consciously sought to synthesize all the arts into an art form based on nature that could be mass-produced. This yen for synthesis was shared by the Bauhaus. Art Nouveau architects like Victor Horta and Antonio Gaudi, rendered the twining shapes of foliage in cast iron, and created an organic environment in which each element related to and depended on the rest. Modernist architecture’s clean lines and spare aspects bear little resemblance to the somewhat extravagant style, but both styles demonstrate an interest in pure form, geometry and the organic whole. They also both rely on "new" materials. The various branches of Modernism – America’s Frank Lloyd Wright, Holland’s De Stijl, Germany’s Bauhaus and the International Style - added purity to the top of their list of concerns. Architects wanted to purge buildings of their traditional trappings in order to reveal the underlying forms and structures, but within modernism was a tension between the organic and the geometric. For the American architect Frank Lloyd Wright, this concern with purity was wedded with a deep commitment toward integrating buildings with nature. He deplored the "box" shape that would come to dominate the world’s horizons. Prominent Modernist architects, who brought that geometry to the fore, include László Moholy-Nagy, Le Corbusier and Ludwig Mies van der Rohe. Postmodernism in architecture arose in the latter part of the 20th century as a reaction against the perceived rigidity or over-formalism of Modernism. Postmodern architecture returns to historicism, drawing boldly from various ornamental styles. Charles Moore, Robert Venturi, Philip Johnson and Michael Graves are postmodern architects who create building with a conglomerate of styles, often to controversial effect.


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Latest Product Reviews

I love your soy paints for my crafts. Sadly this product is no longer available at Joanne's or any other craft stores I visit. This paint is true in color, dries quickly, and if you need to cover up a mistake or start over, this paint covers up better than any other brand I have used. Especially your white onion and mushroom are a life saver for all projects. I do not understand why this product is not more popular. I brag about it all the time, especially to the craft stores. If you are a true crafter your paint, is important. Your soy paints are pure quality for all my project, and I am sad to not see them on the shelves anymore! Big Mistake; if only they had tried just one bottle of this wonderful product. That was how I learned how good they were by giving them a try.
- Carol Mayer in Phoenix, AZ
I love these pallets. I have one for my warm yellows, 1 for cool yellows and you can write on the 2 big wells with the colors that are above ;if you use a woodless graphite pencil, it won't rub off easily. This way I know the exact color and color bias for my red, blues, yellows, violets, greens, and oranges. I find I only need one for my white, black/grey tints and earth tone water colors. For stains, I clean off with olive oil then follow with soap and water so oil doesn't get into my watercolor pigments.
- Delores in Seattle, WA
This is not only the best eraser I've ever used, it's the ONLY eraser I'll ever use, despite the best sales pitches in art shops to get me to change. Cleans superbly, soft to use, no discoloration on the paper and cheap as chips...I don't believe it has a competitor
- Steve Reddin in Dublin, Ireland

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