Had to order a bunch of supplies for college classes. Your website was great and so were the prices! Thanks for having everything we needed!

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Association of Art Historians
The Association of Art Historians was formed in the UK in 1974 to promote, shape, and secure the study of art history and visual culture. The AAH represents the interests of art and design historians in all aspects of the discipline, including art, design, architecture, photography, film and other media, cultural studies, conservation and museum studies. The AAH prides itself on offering a diverse range of activities, resources and funding opportunities for members and non-members involved with art history. The Association's activities and events program broadly reflects the interests and needs of the those involved with museums & exhibitions, academics in further & higher education, independent freelancers, art history teachers and students. AAH membership reflects this breadth of interest with around 1,400 members in the UK and overseas. The Association is affiliated with similar societies in America, Canada, Australia and Europe, including the Comité International d'Histoire de l'Art (CIHA).

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Latest Product Reviews

I have tried many different mold "puttys" and this one is the best so far. It is easy to mix and holds little details really well. The set time is quick and no mess.
- Kim D in San Francisco CA
I agree with Debbie P. This paint looks terrible on glass. Streaks, different colors. I'm attempting to paint a State Seal on stained glass to make a badge for my son and at the rate it's going it will be 2 years before it's painted good enough to use. Everything she said about the brush stroked and overlapping areas is true for me. Not a happy camper with this product.
- Karen L in Vandalia, IL
Lanaquarelle cold press is a beautiful paper for watercolor and gouache. It does not hold up to drafting tape as a masking method, but can take masking fluids. The paint continues to slowly and evenly disperse across a wet surface, applied even after the wet sheen subsides, so be careful not to over-paint during wet on wet or dispersion will go too far. It is a great paper for very surprising subtle and delicate effects, as well as bold and saturated washes, which apply easily and evenly. I am glad I tried this paper and I would definitely use it again and again.
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