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Umberto Boccioni

Umberto Boccioni

(1882 - 1916)
Born: Reggio di Calabria, Italy
Style: Futurism
Famous Works:
  • Head + Light + Surroundings (1912)
  • Continuous Forms in Space (1913)
  • Dynamism of a Cyclist (1913)
Umberto Boccioni believed strongly in the Futurist philosophy, co-signing ‘The Manifesto of the Futurist Painters’ in 1910. Boccioni formally denounced the traditional and customary philosophies of art making and instead, like many of the other members of the Futurist movement, looked to the rationalism of science and technology to inform his work. Boccioni recommended a near complete break with tradition and was an extreme advocate of the Machine Age, believing it to be a step towards the advancement of Italy. Painting was not Boccioni's sole medium; the artist also spent a considerable amount of time sculpting. He represented themes of the city earlier in his work, and subsequently used his work to express a social commentary. Boccioni aimed to capture multiple moments in a single two or three-dimensional venue, always stressing the synthesis of space and motion. In addition, it was of utmost importance to Boccioni to have the human element of emotion present in his work. In this way, the artist viewed objects as possessing a spiritual and emotional aspect in the way that they interact with space. While serving in the Italian Army during the First World War, Boccioni tragically died from injuries that he sustained after being thrown from his horse and subsequently trampled.
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Latest Product Reviews

I use this tape to hold the Mylar on the drafting table. It's a very good tape! It releases without leaving residue, and it is thin enough to let the rule slide on top. The tape doesn't break while unrolling, unlike many others. I highly recommend it.
- Yacht Designer in Maine
I really like these pencils. I accidentally found a technique that really exemplified the "magic" in them. Rolling the pencil to preserve the point and coloring in a circular motion really brings out the random beauty of the colors in coloring a small petaled flower like a zinnia. I have colored an entire picture with one pencil and gotten raves about it. The biggest drawback I am experiencing is the lack of tutorials to help people understand how to use them. I have seen critiques where the artist did not have a clue how to use them. I have also seen a Russian tutorial that shows a lot of blending techniques that really show some extraordinary effects. I am currently exploring their use for backgrounds. I like the pencils and find them a challenge to explore the "magic."
- Nina in Columbia, SC
This makes an excellent glazing medium since you can see what it looks like immediately upon application. The slow drying is a plus when using it for glazing.
- Jesse McCormick in Webb City, MO

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