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Gino Severini

Gino Severini

(1883 - 1966)
Born: Cortona, Italy
Style: Futurism
Famous Works:
Before deciding to become an artist, Gino Severini's life had been decidedly unexceptional. Severini grew up poor and faced expulsion from the Italian school system at the age of fifteen. After moving to Rome and finding work as a shipping clerk, Severini developed an interest in art and enrolled in classes during his spare time. Severini became friends with Umberto Boccioni, and the two studied under Giacomo Balla who introduced them to the principles of Divisionism. Inspiration found Severini in Paris, where he moved in 1906, and became friends with Amedeo Modigliani. In this way he became a link between the work of the French avant-garde painters and sculptors, and the Futurist movement in Italy. Futurism sought to portray objects by understanding their potential for movement, by portraying an additional continuum of time. This is in contrast to Cubists, who were looking at the spatial concept of multiple points of view. In 1910, Severini became a formal member of the Futurist movement by signing its manifesto. Though he was officially connected to the Futurists, Severini's work continued to demonstrate Cubist influences as well as elements of Divisionism he had first seen in Giacomo Balla's work. Severini was adept in the Futurist style, and though he completed several works that explore the dynamism of war and locomotion, his works featuring dancers are the ones that set him apart. Beginning in 1916, Severini explored the Neo-classical style, moving away from Cubism and Futurism. During this period he completed one of his most recognizable works, Pierrot the Musician. Severini went on to work in mosaic and fresco, completing many commissioned murals, even dabbling in abstraction before eventually revisiting his earlier theme of dancers in motion. Severini's work reflects the influence of his extraordinary group of friends, including Pablo Picasso, Juan Gris, and even Georges Seurat. Evident in his work is inspiration from Seurat's use of localized, brilliant color, the Cubists' emphasis on objects or words as symbols, and the Futurists' kaleidoscope of time and motion. Throughout his career, Severini continually worked to synthesize multiple styles, and in doing so, created his own.
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Latest Product Reviews

This is an excellent watercolor set to start to work with. I've used this mainly for portrait and nude paintings. Sometimes I'd mix it with a white paste to create my own custom gouache. The beauty of the set is that they are in tubes, so mixing and making your own mixes is very, very easy to do.i have been using this set up for almost 5 years now, and I always come back to this set for my creativity.
- Dave N in Boyds, MD
Love the copper and will be buying the others!I have been wanting copper post cap solar lights and they are just too pricey, I found a 2 pack of inexpensive solar lights, they were brown and we all know what happens to that plastic after baking in the Sun, then it occurred to me that I had the copper and I figured I'd try it on the lights, it covered beautifully in 2 coats. I wasn't sure if I had to seal them until now, but I used Krylon Maxx Clear Satin Spray Paint on them,and to my surprise, the spray instantly turned the copper a beautiful pinkish patina that happens naturally on copper. I will be doing this on my new deck lights before they are mounted, it is really beautiful!
- Nancy J. in Pittsburgh, PA
I AM FOND OF THE SIMMONS SWORD BRUSH AS IT IS VERY VERSATILE AND RESILIENT. I USUALLY WORK WITH ACRYLICS AND FOUND ALL THE SIMMONS BRUSHES TO OUTLAST OTHER TYPES.
- DARRELL J. in INMAN, S.C.

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