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Gino Severini

Gino Severini

(1883 - 1966)
Born: Cortona, Italy
Style: Futurism
Famous Works:
Before deciding to become an artist, Gino Severini's life had been decidedly unexceptional. Severini grew up poor and faced expulsion from the Italian school system at the age of fifteen. After moving to Rome and finding work as a shipping clerk, Severini developed an interest in art and enrolled in classes during his spare time. Severini became friends with Umberto Boccioni, and the two studied under Giacomo Balla who introduced them to the principles of Divisionism. Inspiration found Severini in Paris, where he moved in 1906, and became friends with Amedeo Modigliani. In this way he became a link between the work of the French avant-garde painters and sculptors, and the Futurist movement in Italy. Futurism sought to portray objects by understanding their potential for movement, by portraying an additional continuum of time. This is in contrast to Cubists, who were looking at the spatial concept of multiple points of view. In 1910, Severini became a formal member of the Futurist movement by signing its manifesto. Though he was officially connected to the Futurists, Severini's work continued to demonstrate Cubist influences as well as elements of Divisionism he had first seen in Giacomo Balla's work. Severini was adept in the Futurist style, and though he completed several works that explore the dynamism of war and locomotion, his works featuring dancers are the ones that set him apart. Beginning in 1916, Severini explored the Neo-classical style, moving away from Cubism and Futurism. During this period he completed one of his most recognizable works, Pierrot the Musician. Severini went on to work in mosaic and fresco, completing many commissioned murals, even dabbling in abstraction before eventually revisiting his earlier theme of dancers in motion. Severini's work reflects the influence of his extraordinary group of friends, including Pablo Picasso, Juan Gris, and even Georges Seurat. Evident in his work is inspiration from Seurat's use of localized, brilliant color, the Cubists' emphasis on objects or words as symbols, and the Futurists' kaleidoscope of time and motion. Throughout his career, Severini continually worked to synthesize multiple styles, and in doing so, created his own.
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After reading that this product wouldn't work on cheap magnetic brass hinges, I tried buying new ones in bronze. After a couple of failures with buying the correct size/type of hinge, I decided to try the rub n buff.For those who asked about using this over cheap hinges that are actually brass color over steel or aluminum (do magnet test), rub n buff does work. I just did it. Soak hinges in mineral spirits or thinner. Spray clean hinges with zinseer123, I used white which I had on hand. Let dry. (I sprayed both sides and let dry over night). Once dry, I applied rub n buff with a rag. Because I used white zinseer123 primer I had to used a toothbrush to apply the rub n buff in the crevices that showed still showed white. I used ebony and autumn gold to create bronze. They look amazing.
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An excellent value for the price. It did not come with assembly instructions, which was a little frustrating ,so only 4 stars.
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I have been using Fluid paper for a few years now and find that it's a great value for the price. The quality is suitable for beginner to intermediate level painters. Very easy to work with, accepts watercolor paints, pencils, aqua crayons and markers well.
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