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Gino Severini

Gino Severini

(1883 - 1966)
Born: Cortona, Italy
Style: Futurism
Famous Works:
Before deciding to become an artist, Gino Severini's life had been decidedly unexceptional. Severini grew up poor and faced expulsion from the Italian school system at the age of fifteen. After moving to Rome and finding work as a shipping clerk, Severini developed an interest in art and enrolled in classes during his spare time. Severini became friends with Umberto Boccioni, and the two studied under Giacomo Balla who introduced them to the principles of Divisionism. Inspiration found Severini in Paris, where he moved in 1906, and became friends with Amedeo Modigliani. In this way he became a link between the work of the French avant-garde painters and sculptors, and the Futurist movement in Italy. Futurism sought to portray objects by understanding their potential for movement, by portraying an additional continuum of time. This is in contrast to Cubists, who were looking at the spatial concept of multiple points of view. In 1910, Severini became a formal member of the Futurist movement by signing its manifesto. Though he was officially connected to the Futurists, Severini's work continued to demonstrate Cubist influences as well as elements of Divisionism he had first seen in Giacomo Balla's work. Severini was adept in the Futurist style, and though he completed several works that explore the dynamism of war and locomotion, his works featuring dancers are the ones that set him apart. Beginning in 1916, Severini explored the Neo-classical style, moving away from Cubism and Futurism. During this period he completed one of his most recognizable works, Pierrot the Musician. Severini went on to work in mosaic and fresco, completing many commissioned murals, even dabbling in abstraction before eventually revisiting his earlier theme of dancers in motion. Severini's work reflects the influence of his extraordinary group of friends, including Pablo Picasso, Juan Gris, and even Georges Seurat. Evident in his work is inspiration from Seurat's use of localized, brilliant color, the Cubists' emphasis on objects or words as symbols, and the Futurists' kaleidoscope of time and motion. Throughout his career, Severini continually worked to synthesize multiple styles, and in doing so, created his own.
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Using this product, I create model houses of my own design. I have ordered from Misterart.com before and liked the product.
- GEORGE YOUNG in Seminole, Fl
I'm not a stencil artist but a silversmith. I have several of the 1" brushes, and they are perfect for sweeping my bench. I use the brushes to sweep the silver and gold filings off my bench, and they do a superb job of cleaning loose metal bits off my projects. I don't like to use any other brushes. I use the smaller ones ( the 1/2" and 3/8") for gently cleaning wax models and jewelry in progress. These brushes have greater control, stiffness and yet pliable bristles that does the job very well. I'm sticking with these brushes for a very long time.
- Joy in Concord, NH
I like to use 300 lb watercolor paper for my oil paintings. I use this product to mount my finished work/paper onto foam core board then its ready for a traditional wood frame. Easy!
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