I just wanted to say that I was impressed by your packaging and shipping. I found you when I was searching for papers I just couldn't get locally and thought it was worth trying an order. I'd been resigned to the idea that small paper orders would end up rolled and in a tube, but I was pleasantly surprised to find my order shipped flat and well protected. Thank you. I will be ordering from you again.

Alida Springfield, MA

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Society of Illustrators
On February 1, 1901, a group of nine artists and one advising businessman founded the Society of Illustrators with this credo: "The object of the Society shall be to promote generally the art of illustration and to hold exhibitions from time to time." Since inception, the Society has had a distinguished yet lively history as an active participant in the ever-changing field of illustration. The Society promotes the art of illustration through contributions to community service and student scholarship, annual exhibitions and recognition of achievements in the field. The mission of the society is to promote and stimulate interest in the art of illustration, past, present and future, and to give impetus generally toward high ideals in the art by means of exhibitions, lectures, educational programs, social intercourse, and in such other ways as may seem advisable.

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Latest Product Reviews

I use mineral paper with alcohol ink. It is an excellent alternative to the more expensive Yupo paper. However, mineral paper is not as stiff as Yupo.
- pat in Oklahoma
This is by far the best ink I have used for my comics! Consistency is perfect. Pigment has the tendency to settle at the bottom of the bottle but I just stir it with a brush and it dissolves quickly. I buy this product in batches,because I am terrified that it will be discontinued. Joe Kubert's school recommended this ink.
- Francesco S. in New York
Lanaquarelle cold press is a beautiful paper for watercolor and gouache. It does not hold up to drafting tape as a masking method, but can take masking fluids. The paint continues to slowly and evenly disperse across a wet surface, applied even after the wet sheen subsides, so be careful not to over-paint during wet on wet or dispersion will go too far. It is a great paper for very surprising subtle and delicate effects, as well as bold and saturated washes, which apply easily and evenly. I am glad I tried this paper and I would definitely use it again and again.
- Reed-Deemer Art Studio in New Mexico

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