I received my order from your company and was very pleased in the entire process. Very timely, great packaging, fantastic material and I am definitely ordering from you again (not to mention telling my friends and family)!! Thank you again!

Jennifer Memphis, TN

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Styles & Periods
Oceanic Art

Oceania encompasses thousands of islands, which are usually divided into four cultural areas: Micronesia, Polynesia, Australia, and Melanesia. Polynesia was the last area of the world to be settled; as such, those who inhabited the area brought complex societal constructs with them.  For this reason, Polynesian art tends to be more cohesive and autocratic than other Oceanic art. Even so, the vast distances separating islands yield very different styles, from the exuberance of Hawaiian sculpture to the restraint of Cook Island figures. Polynesians excelled at woodcarving, depicting fierce gods with tremendous energy and power, and they created elaborate tattoos and decorative bark cloth. In the arts of New Zealand, the two main Polynesian artistic tendencies, one toward bold figural sculptures and the other toward the repetition of abstract forms, come together, as in the intricate, fluid decorations on Maori meeting houses. In Melanesia, a series of multiple migrations is echoed in the profusion of overlapping artistic styles; the emphasis is on bold colors and dramatic shapes. Large ancestral poles were erected as power images to assist in battle and for fertility. In Australia, a primary function of Aboriginal art is to facilitate contact with a mythological past era, called "Dreamtime". Bark paintings depict underworld creatures and symbolic motifs, and are used ceremonially to recreate cosmogonic myths. In New Zealand¹s Maori culture, woodcarving continues to be a vibrant practice with an important role in ensuring cultural continuity.


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Latest Product Reviews

I like this product very much and have been using it for year's to make all kinds of window clings. I just wish the Plaid company would bring back more of the shimmers and sparkle type paints. However,I have found you can add your own sparkle with glitter..I use many different types of glitters and my window clings are beautiful.
- Nancy M. in Ocala, Florida
I like to use 300 lb watercolor paper for my oil paintings. I use this product to mount my finished work/paper onto foam core board then its ready for a traditional wood frame. Easy!
- JillU in Romeo, MI
Lanaquarelle cold press is a beautiful paper for watercolor and gouache. It does not hold up to drafting tape as a masking method, but can take masking fluids. The paint continues to slowly and evenly disperse across a wet surface, applied even after the wet sheen subsides, so be careful not to over-paint during wet on wet or dispersion will go too far. It is a great paper for very surprising subtle and delicate effects, as well as bold and saturated washes, which apply easily and evenly. I am glad I tried this paper and I would definitely use it again and again.
- Reed-Deemer Art Studio in New Mexico

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