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Styles & Periods
Prehistoric Art

Humans have been making art for at least 40,000 years, perhaps even longer. Prehistoric Art spans a vast period of time, and has been discovered in some form throughout much of the world. By definition, Prehistoric Art is art that was created before a reliable historical record exists for the culture responsible. Most often this refers to written record. Evidence suggests that in the Middle Paleolithic era (200,000 to 50,000 years ago), early humans were developing crafting skills for purely functional purposes. This craftsmanship can be observed in stone tools, such as bifaces, tools that are deliberately shaped by flaking both sides. In these tools, an awareness of symmetry can be inferred, hinting that our ancestors had developed some sense, albeit primitive, of the aesthetic. If tools from the Middle Paleolithic serve to hint at man's emerging artistic ability, then discoveries from the Upper Paleolithic (40,000 to 10,000 years ago) are a ringing testimony. Art from this period includes figurines, cave paintings, and carvings. Among these works are small feminine figures carved in stone. Rather than aiming for realism in proportion, these figures’ exaggerated anatomy suggests symbols of fertility; the pieces have been termed “Venuses” after the Greco-Roman goddess of love. Large animals were the primary artistic concern of the Upper Paleolithic cave painters. Animals were rendered in profile; deer, bison and horses race across the ceilings in the cave paintings of Lascaux and Altamira. By the end of the Upper Paleolithic, the human impetus to create art had incredible momentum, and the fusion of form and function are evident. Decorated pottery vessels have been discovered in Brazil and Venezuela, coinciding with finds from the Korean Jeulmun Pottery Period. From the megaliths and metalwork of Europe, to the stylized rock art of Saharan Africa, and the elaborate textiles, gold work, and masonry of South America, Prehistoric Art provides significant insight into the development of human creativity.


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Latest Product Reviews

I like the White Galaxy Marker very much for writing on dark paper, and I have used it to cover another color when I needed to disguise a mistake or simply change effect. For example, I bought an ornament with name SCARLETT spelled on it and by covering the last 't', I was able to give this to someone with a cat named SCARLET. If color to be covered is a paint or other pen color, that can make the other color "stain" the white marker tip. This can be avoided if one is sure first color is dry before trying to cover it with white.
- Virginia in Richmond VA
I have been using this product for years and find that it works perfectly on my gessoed wood pieces. The biggest complaint I have is that over the years Grumbacher has downsized the size of the bottle, now making it only available in these small, expensive quantities. I would like for them to offer them in a larger size.
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After reading that this product wouldn't work on cheap magnetic brass hinges, I tried buying new ones in bronze. After a couple of failures with buying the correct size/type of hinge, I decided to try the rub n buff.For those who asked about using this over cheap hinges that are actually brass color over steel or aluminum (do magnet test), rub n buff does work. I just did it. Soak hinges in mineral spirits or thinner. Spray clean hinges with zinseer123, I used white which I had on hand. Let dry. (I sprayed both sides and let dry over night). Once dry, I applied rub n buff with a rag. Because I used white zinseer123 primer I had to used a toothbrush to apply the rub n buff in the crevices that showed still showed white. I used ebony and autumn gold to create bronze. They look amazing.
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