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Carol Victor, NY

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Styles & Periods
Photo Realism

Photorealism, sometimes called Super-Realism, emerged in the United Stated in the late 1960s. The most stringent criterion of Photorealism mandated that a photograph be used to collect the information from which the painting would be realized. Just as a camera focuses non-objectively on minute details, the artist worked in exacting detail to produce a totally inclusive composition. The Abstract Expressionists and Minimalists had become formidable, creating art that was independent of any discernable reliance on real-world imagery. By and large, the Photorealists aimed to reinvigorate the value of an image, which had experienced a steady decline in the art world since the advent of photography. The banality of composition and subject stems from the work of Pop artists, who were called new realists. The link between these two movements was the focus on everyday objects and scenes, instead of compositions that arose from academic painting. Trademark components of Photorealistic paintings include the interaction of light with reflective surfaces, and the precision of geometric elements. Photorealism has endured into the 21st century, and technological and photographic advancements have allowed artists to further push the limits of the style.


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Latest Product Reviews

MisterArt.com has the absolute lowest price on the 20x26 size! I use them to protect my sample artwork on gallery wrapped canvas (18x24) and these help in transport to protect from scratching/marring. Plus, when it impresses the client when they see the canvas arrives protected in one of these. I'm waiting for them to get back in stock to order more. They are VERY popular for the reason I stated.
- Photos Into Artwork, LLC in Kansas City, Missouri USA
Lanaquarelle cold press is a beautiful paper for watercolor and gouache. It does not hold up to drafting tape as a masking method, but can take masking fluids. The paint continues to slowly and evenly disperse across a wet surface, applied even after the wet sheen subsides, so be careful not to over-paint during wet on wet or dispersion will go too far. It is a great paper for very surprising subtle and delicate effects, as well as bold and saturated washes, which apply easily and evenly. I am glad I tried this paper and I would definitely use it again and again.
- Reed-Deemer Art Studio in New Mexico
As a cartoonist, I prefer the Strathmore 300 series smooth surface bristol. It works well in achieving a smooth, even ink line whether using pen or brush. And most importantly, it is more economical than either the 400 series, or 500 series bristol.
- Jerry D. in Terre Haute, IN

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