I use the low temp glue guns and the package of 8 ea 10" glue sticks. The quality of both have been superior as well as the fast, prompt delivery. Our orders have always been accurate. Thanks MisterArt!!

Jan Lake Havasu City, AZ

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Styles & Periods
Color-Field Painting

Color Field painting emerged as part of a new direction in art, Post-Painterly Abstraction, that arose in the 1950s as a reaction to Abstract Expressionism. Instead of the dense, painterly brushstrokes favored by the Abstract Expressionists, Color Field painters developed open, abstract compositions. Broad expanses of color were used to give extreme clarity to paintings, and the texture of the paint was undermined to emphasize hues and shapes. The range of artists working in this manner is broad, and includes Sam Francis, Helen Frankenthaler, Barnett Newman, and Mark Rothko. Rothko’s work centers on the impact of broad shapes and expressive colors. While these paintings are formally simple, their expression is emotionally and psychologically complex. Color-Field painting’s ties to Abstract Expressionism and its influence on Minimalism make it an important bridge between the two styles.


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Latest Product Reviews

Tulip does it again with a new face painting kit. While I can't get my favourite paints (Palmer) in the supplies I need, we, The Balloonatics will test this new kit and see how kid friendly it will be. We will test toxicity, staining, melding of colours, creating special effects, and just how many faces we can paint with one kit. Tulip is wonderful in its other many many products and I highly recommend them. We will post our findings as soon as we test them out.
- Sue Hutchinson, Head Loonatic "The Balloonatics" in Toronto, Ontario
Great idea, poor execution. Once a photo has been burnished on to the adhesive, per manufacturer's instructions, lifting the photo off to transfer to mounting board yields often long, gooey, sticky web-like strands of adhesive that have a tendency to wrap around to, and stick to, front of photo. It leaves what is essentially an irreparable mess, even when using utmost care. Also, unless burnishing print to adhesive is done with rather extraordinary force, I've found it difficult to get the adhesive to stick to more than about 90% of the print's back.
- M. Shlafer in Ann Arbor, MI
I received a pot of gold and one of silver in a "hand me down" box from a friend that included a variety of paints and other art treasures! So I do not know how old these products are. I tried the gold right away on an embossed piece I had laying around and was amazed at how beautiful it worked out. I have been using another gold product in the past, and it is no where near as beautiful as this. I am a believer, and will use Treasure gold forever!
- Elizabeth B in Spring Hill, Florida

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