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Styles & Periods
20th Century Architecture

Twentieth century architecture, like other art forms, was charged with formulating a response to the technologies and tensions of the industrial age. The first response came from the Art Nouveau movement, which self-consciously sought to synthesize all the arts into an art form based on nature that could be mass-produced. This yen for synthesis was shared by the Bauhaus. Art Nouveau architects like Victor Horta and Antonio Gaudi, rendered the twining shapes of foliage in cast iron, and created an organic environment in which each element related to and depended on the rest. Modernist architecture’s clean lines and spare aspects bear little resemblance to the somewhat extravagant style, but both styles demonstrate an interest in pure form, geometry and the organic whole. They also both rely on "new" materials. The various branches of Modernism – America’s Frank Lloyd Wright, Holland’s De Stijl, Germany’s Bauhaus and the International Style - added purity to the top of their list of concerns. Architects wanted to purge buildings of their traditional trappings in order to reveal the underlying forms and structures, but within modernism was a tension between the organic and the geometric. For the American architect Frank Lloyd Wright, this concern with purity was wedded with a deep commitment toward integrating buildings with nature. He deplored the "box" shape that would come to dominate the world’s horizons. Prominent Modernist architects, who brought that geometry to the fore, include László Moholy-Nagy, Le Corbusier and Ludwig Mies van der Rohe. Postmodernism in architecture arose in the latter part of the 20th century as a reaction against the perceived rigidity or over-formalism of Modernism. Postmodern architecture returns to historicism, drawing boldly from various ornamental styles. Charles Moore, Robert Venturi, Philip Johnson and Michael Graves are postmodern architects who create building with a conglomerate of styles, often to controversial effect.


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Latest Product Reviews

I really like the frame. It's sturdy and well made. In the one I've opened, there's a little imperfection in the glass that's not noticeable if it's set at the bottom (horizontal) side of the frame. It showed a plot more at the top.The mat is off white. I was expecting white. I can still use it, though. For the price, it can't be beat.
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Love the copper and will be buying the others!I have been wanting copper post cap solar lights and they are just too pricey, I found a 2 pack of inexpensive solar lights, they were brown and we all know what happens to that plastic after baking in the Sun, then it occurred to me that I had the copper and I figured I'd try it on the lights, it covered beautifully in 2 coats. I wasn't sure if I had to seal them until now, but I used Krylon Maxx Clear Satin Spray Paint on them,and to my surprise, the spray instantly turned the copper a beautiful pinkish patina that happens naturally on copper. I will be doing this on my new deck lights before they are mounted, it is really beautiful!
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After reading that this product wouldn't work on cheap magnetic brass hinges, I tried buying new ones in bronze. After a couple of failures with buying the correct size/type of hinge, I decided to try the rub n buff.For those who asked about using this over cheap hinges that are actually brass color over steel or aluminum (do magnet test), rub n buff does work. I just did it. Soak hinges in mineral spirits or thinner. Spray clean hinges with zinseer123, I used white which I had on hand. Let dry. (I sprayed both sides and let dry over night). Once dry, I applied rub n buff with a rag. Because I used white zinseer123 primer I had to used a toothbrush to apply the rub n buff in the crevices that showed still showed white. I used ebony and autumn gold to create bronze. They look amazing.
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