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Styles & Periods
Earthworks

Earthworks are usually large-scale sculptures installed in the natural landscape or composed of materials taken from a specific site. Inherent in this approach to making art is a break with the dependence of artists on conventional sites for viewing, selling or displaying art, such as museums and galleries. Earth artists often take their work away from the cities and create monumental works in remote places. The condition and lifespan of an earthwork are always dictated, to some degree, by nature. Many times only the artist has a chance to view the completed work before it is compromised by man or ravaged by nature. The element of impermanence is crucial to the concept of many pieces. Extensive documentation of Earthworks is common. Maps, videos, drawings, writings and photographs are often made by the artists and taken into the galleries for viewing. Sculptor Robert Smithson has taken materials, such as rocks and soil, from selected sites and presented them in galleries as secondary, or non-sites, connected to and dependent upon the original, non-gallery site. Relationships to historical architecture, such as Stonehenge, and monuments, such as burial mounds, are apparent in these works, as is an interest in ritual and the experience of man.


Some Artists In This Style
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Latest Product Reviews

Great idea, poor execution. Once a photo has been burnished on to the adhesive, per manufacturer's instructions, lifting the photo off to transfer to mounting board yields often long, gooey, sticky web-like strands of adhesive that have a tendency to wrap around to, and stick to, front of photo. It leaves what is essentially an irreparable mess, even when using utmost care. Also, unless burnishing print to adhesive is done with rather extraordinary force, I've found it difficult to get the adhesive to stick to more than about 90% of the print's back.
- M. Shlafer in Ann Arbor, MI
I might have gotten this but if this is beginner's ballet (based upon editor's description) why does the cover illustration have a girl en pointe? That doesn't happen until year two or three even. It will give girls the wrong impression--that going en pointe is easy, fast and will happen almost automatically. The cover illustration is enough to not get this book.
- Davida W. in Queens, NY
I've used Pebeo's Vitrea 160 paints for years. I love this stuff. When buying these paints, remember to get the thinner too. I use a stiff stencil brush with a dabbling motion to get even coverage. If bubbles appear, the paint is too thick or you've added too much water, but don't fret just let it dry a little and brush over it again. Have fun!!!
- Dougster in Tucson Arizona

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