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Glossary

Word of the Day!

blow forming


A method of shaping acrylic sheet. The plastic is heated until pliable, then clamped and subjected to a blast of air which inflates it like a balloon.


ukiyo-e

Japanese for 'pictures of the floating world'. Ukiyo-e were popular in the seventeenth to nineteenth-centuries, and depicted kabuki actors, landscapes, and folk tales.

Example: Kitagawa Utamaro's Five Kinds of Ink from the Northern Provinces, early 1790's

ultramarine

Blue pigment originally made from ground lapis lazuli. French ultramarine is an artificial substitute.

undercut

Carving to create an overhang; a recess or awkward angle in the surface or form of a three-dimensional object which would prevent easy removal of a cast from a mold. Molds should be designed to eliminate this problem. Ways to cast objects with overhangs include using piece molds and waste molds.

underdrawing

Drawing preliminary to other work, and incorporated into it, thus deprived of independent artistic value. An example is the underdrawing in fresco and panel painting, such as sinopia and abbozzo.

underpainting

The layer or layers of color on a painting surface applied before the overpainting, or final coat. There are many types of underpainting. One type is an all-over tinting of a white ground. Another is a blocked out image in diluted oil colors that serves as a guide for the painter while developing the composition and color effects.

See Also:  abbozzosinopia (or sinopie)grisaille

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Latest Product Reviews

Lanaquarelle cold press is a beautiful paper for watercolor and gouache. It does not hold up to drafting tape as a masking method, but can take masking fluids. The paint continues to slowly and evenly disperse across a wet surface, applied even after the wet sheen subsides, so be careful not to over-paint during wet on wet or dispersion will go too far. It is a great paper for very surprising subtle and delicate effects, as well as bold and saturated washes, which apply easily and evenly. I am glad I tried this paper and I would definitely use it again and again.
- Reed-Deemer Art Studio in New Mexico
I'm a professional framer. I use this product all the time and I Love it.
- Wendy Comar in Vermont
This makes an excellent glazing medium since you can see what it looks like immediately upon application. The slow drying is a plus when using it for glazing.
- Jesse McCormick in Webb City, MO

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